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The Rise of Ethical Fashion in Sri Lanka

  • Writer: Amanda Dyer
    Amanda Dyer
  • Aug 22
  • 3 min read

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In a region long defined by scale, volume, and speed, Sri Lanka is carving out a different identity in the global fashion industry - one rooted in ethics, craft, and purpose. While the country’s garment sector remains one of its largest export earners, a new movement is emerging on the periphery of mass production. Small studios, artisan collectives, and mission-driven designers are using fashion not just as commerce, but as cultural commentary and social infrastructure.


Beyond Compliance


Sri Lanka’s apparel industry has traditionally positioned itself as the conscience of South Asian manufacturing. Campaigns like “Garments Without Guilt” and early adoption of ethical workplace certifications set the country apart from competitors like Bangladesh, Vietnam, and India.


But compliance is no longer enough.


Today’s ethical designers are less interested in proving what they are not - and more focused on building something entirely new: a fashion economy that is circular, inclusive, and deeply local.


These designers are asking fundamental questions:


  1. What if waste was the starting point for creativity?

  2. What if fashion trained and empowered rural communities instead of exploiting them?

  3. What if design could serve both global aesthetics and domestic storytelling?


Key Labels Leading the Shift


  • Selyn: Sri Lanka’s only fair-trade certified handloom company, Selyn has moved beyond retail into education, supply chain innovation, and community development. Its products - from woven garments to homeware - fuse tradition with a modern design vocabulary.

  • House of Lonali: Founded by designer Lonali Rodrigo, this label transforms surplus textile waste from factories into contemporary apparel and accessories. Each piece is unique, with the rawness of its material celebrated rather than hidden.

  • Ayesh: A minimalist menswear line focused on organic cotton and zero-waste cutting. The brand combines Japanese patterning principles with Lankan climate-conscious sensibility.

  • ARI: Based in Colombo, ARI uses natural dyes and batik revival techniques to craft limited-run collections that challenge both western and eastern fashion norms.


 House of Lonali campaign
House of Lonali campaign

Supply Chain as Storytelling


Rather than obscuring the process behind glossy branding, many of these labels bring their supply chains to the foreground. From the weavers of Kurunegala to the dye masters of Matale, each step in the production journey is part of the final garment’s identity.


Some designers are experimenting with blockchain tools to track sourcing and labour inputs - not as tech gimmicks, but as a trust mechanism for discerning buyers, especially in export markets like Scandinavia, Japan, and the UAE.

There is also a growing awareness around hyperlocal materials. Banana fibre, coconut husk blends, and native plant-based dyes are being tested at small scale for commercial viability.


Who Is Buying


A generation of urban Sri Lankans - particularly in Colombo 5, 7, and southern coastal hubs like Galle and Dikwella - is showing interest in conscious fashion. They are rejecting fast fashion for slow aesthetics, personal connection, and value over volume.


At the same time, Sri Lankan ethical labels are finding demand among:


  • Wellness resorts curating local wardrobe offerings

  • Diaspora customers seeking meaningful souvenirs

  • International buyers sourcing for boutique hotel concept stores and eco-resorts

  • High-end retail platforms focused on emerging Asia


Where to Find It


  • PR Colombo: Sri Lanka’s leading concept store for fashion and design

  • Barefoot: A legacy handloom institution reinventing itself for a new generation

  • Design Collective: A curated platform for emerging designers

  • Urban Island and Island Craft: Online portals offering global shipping and limited collections


Barefoot Store
Barefoot Store

The Structural Challenges


Despite momentum, the sector faces real constraints.


Raw materials remain a weak link. Sri Lanka does not produce organic cotton at scale, forcing many ethical brands to import base fabric - adding to cost and reducing control.


There is also a pricing disconnect. While international buyers see value in a US $200 handwoven shirt, local buyers may not - making it difficult to build a sustainable domestic base.


For brands looking to grow beyond passion projects, the road is narrow: how to scale while keeping ethics, provenance, and process intact?


The Bigger Picture


In the wake of global climate anxiety, overproduction, and greenwashing fatigue, the Sri Lankan ethical fashion movement feels refreshingly grounded. It is not about trend-chasing or performative sustainability. It is about building an ecosystem that is local by design, global by relevance, and regenerative by nature.


This is not fashion as an aesthetic experiment. It is fashion as a tool for dignity, identity, and resilience.



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Sri Lanka’s ethical fashion renaissance is not an echo of the West - it is an original expression of place, politics, and possibility. As more global consumers seek out integrity over excess, this island may offer one of the most authentic models for fashion’s future.


To meet the makers or commission bespoke pieces, contact our Concierge team to arrange private appointments and shopping experiences across Colombo and beyond.

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